Why my birthday is amazing and yours is not

22 July is a day of many things — of shoes and ships and ceiling-wax, of cabbages and kings. Here are some amazing facts about my birthday!

*The year I was born (according to HMEPA), 22 July was 7 Hekatombion (Attic calendar) or 7 Ippodromios (Boeotian) — the seventh day of the Lunar month being sacred to Apollon.
*My actual “due date” was ten days previous, on the first day of Hekate’s Deipnon.
^I was born in one of the years that 22 July is in Leo rather than Cancer; both signs have mythology related to Herakles (of note, two of my best friends are Gemini)
*I share a birthday (though a different year) with Rufus Wainright — our forenames both mean “red-haired”, though neither one of us really is (my natural colour is auburn, not ginger).
*Birthday also shared with Oscar de la Renta, Terrance Stamp, Alex Trebek, George Clinton, David Spade.
*If you’re Catholic, this is the feast day of Mary Magdelene; intriguingly, Mary Magdalene is commonly portrayed with red hair.
*This year, is on the 20th day of the Lunar month, also sacred to Apollon.
*By modern tradition, birthstone for July is the ruby, by zodiacal tradition, for Leo it is Onyx.
*Flower for July births is Delphinium Larkspur, the sacred flower of Hyakinthos.

Advertisements

30 Day Paganism Meme: Day 13 ~ Pantheon – Adonis & the Flower Boys

I love Adonis.
AphroditeAdonisLouvreMNB210 Though there’s Peanut Gallery commentary decrying any worship of Him and Kybele in a Hellenic context as “un-Hellenic”, it’s pretty obvious that Their cults had been thoroughly Hellenised by the time of Hesiod (if you haven’t seen people making such ridiculous claims, consider yourself lucky; in fact, I consider myself a lesser person for even mentioning it). I find myself especially fascinated with Ptolemy Hephaestion frequently linking His love as shared with Aphrodite and Apollon, which may seem unusual to those who are only familiar with the versions of Aponis’ mythos that link Him with Aphrodite and Persephone. AdonisLouvre

“Adonis, having become androgynous, behaved as a man for Aphrodite and as a woman for Apollon.” – Ptolemy Hephaestion, New History Bk5 (as summarized in Photius, Myriobiblon 190)

There’s a fragment from Hesiod that describes Adonis as the son of Phoenix (son of Amyntor), and most primary sources name His mother as Smyrrhna, who had a metamorphosis into the tree from which myrrh resin is harvested.

In myth and in cult, there are many easy comparisons to Dionysos — from a position in life-death-rebirth cults, his apparent links to sexuality, vegetation, and Khthonic deities (especially Persephone), Adonis-Dream-Print-C10032791 academic and ancient syncretic likening to Osiris, and the public face of His cult was decidedly female (though this is where things begin to differ — male Dionysians existed in ancient times as much, if not more, than in modern — male Adonians, at least in the ancient Hellenic world [I haven’t a clue about the Phonecian or Syrian world where it’s clear His cult originated], seem apparently non-existent and, even in modern times, seem few, at best). adonis_northcote But at least in the Hellenic world, it’s very clear that they are not the same — in some mythology, Aphrodite bore Adonis a daughter, Beroe, who is one beloved of Dionysos.

His cult likely came into the Hellenic mainlaind through Kypris, the birthplace and local name for Aphrodite, and by about the 6th Century BCE, was already well-known in Hellas. This is not insignificant: This not only cements a relationship with Aphrodite’s cult, it also really shows the aforementioned Peanut Gallery where to stick it — MWAHAHAHAHA!!! 😀

adonis Seriously, folks, at this point in time, I think it’s safe to admit that the Adonis cult was thoroughly Hellenised. The academia really tries to “un-Hellenise” Adonis, and indeed, many of these arguments seem to make sense, until you get into several glaringly apparent facts:

1) Adonis is a central part of Aphrodite’s Hellenic mythology — and I word it this way because a significant amount of Her mythology and cult is clearly “imported”, comparative mythologises easily link Aphrodite to nearly every Near Eastern Goddess from the Babylonian Ishtar to the Zoroastrian Anahita. adonis001 If one is going to conclude that Hellenic polytheists should worship only Hellenic deities, then there is an awful lot of archaeology that could easily reason that Aphrodite’s cult is not “indigenous” to Hellas any more than that of Adonis’.

2) It’s absolutely likely that Adonis’ cult was “imported” at the same time as Aphrodite — and even the much-touted Walter Burkert (apparently Greek Religion is a veritable gospel to some people), sure seems to agree with this idea: AdonisNaples

The cult of the dying god Adonis is already found to be fully developed in Sappho’s circle of young girls around 600 [BCE]; indeed, one might ask whether Adonis had not from the very beginning come to Greece along with Aphrodite. For the Greeks it was well-known that he was an immigrant from the Semetic world, and his origins were traced to Byblos and Cyprus. His name is clearly the Semetic title adon, Lord. For all that, there is in Semetic tradition no known cult connected with this title which corresponds exactly to the Greek cult, to say nothing of a counterpart to the Greek Adonis myth. (pp176-177)

Indeed, investigating Near Eastern mythology, the closest deity with a cult matching the Adonis cult is we see named is “Tammuz”, not Adonis. Perhaps “Adonis”, in this instance, is merely a loan-word made name? Death of Adonis

3) The name Adonis, while clearly being the sticking point for identifying His cult as “foreign”, as a language arts major I can clearly see as a mere convention on the same level as “Kytheria” or “Kypris” as a name for Aphrodite — and one clearly accepted as “Greek enough” for many scholars for centuries — indeed, Thomas Taylor takes “Kypris = Aphrodite (= Venus)” for granted in translating the Orphic hymns — and indeed, Cyprus was Hittite land until fairly late Bronze Age; which would be roughly the period estimated for the import of Aphrodite and Adonis cults. return_of_adonis-large Indeed, in most mythological traditions, Cyprus is also the birthplace of Adonis, not merely His cult — so it obviously flabbergasts that somehow this can make Aphrodite “Hellenic enough”, but not Adonis.

One can clearly only begin to imagine the whys and such for the reluctance to accept Adonis cult as “Hellenic enough”, when all evidence clearly shows that it is so. adonis5633 One idea may simply revert to etymology — though clearly acceptable early on in the Hellenisation of Adonis cult practise, later it became a sticking point due to what would now be called racism or nationalism — kinda the same logic “birthers” use to accuse President Barak Obama of being born well-outside U$ soils, in spite of all clear evidence to the contrary. Another idea being that since His cult, in ancient times, was dominated by women to the point of apparently becoming female-only kept the cult well outside the “mainstream” of the civic religion, and so, in a sense, “foreign” to ancient writers, who tended to be men — it could therefore arguably be sexism that kept the Adonis cult regarded as “foreign”; if one considers that many often wrote of the Adonis cult and its symbols with a hint of derision (it’s arguable that the old idea of “green leafy salad = women’s food” is an idea started in ancient Hellas — not only is lettuce sacred to Adonis, but one writer once joked [or perhaps seriously believed] that lettuce causes male sterility), this hypothesis makes a lot of sense on paper. Untitled-1
But perhaps I digress….

I was initially attracted to Adonis as an extension of the “flower boys” — His floral associations include roses (in some versions of the mythos), windflower / anemone poppies, and the “adonis” genus of flowering plant. I make no secret of my veneration of Narkissos as a Daimone and Hyakinthos as hemitheos. Even Krokos, Paeon, and narcisses,_hyacinths_and_nasturtiums-large The “flower boy” myths intrigue me on many levels: For starters, think about what a flower is — not what it represents in this culture, but what it is. It’s a part of certain plants, but which part? The genitals. In a certain light, it can seem kind of perverse how much —severed plant genitals— er… cut flowers play a part in (especially heterosexual) romance, courtship, and marriage. The boy gives the girl a cluster of severed, essentially hermaphroditic genitals to show he likes her. A few centuries ago, especially the middle classes, the boy’s visit would then only really last as long as it took for girl to pluck the protective petals from around the reproductive centre. Near the end of the wedding ritual, where people especially like to be surrounded by these hermaphroditic plant parts, the bride throws another bushel of genitals on her friends, with the hope that the cycle will start anew. JohnWilliamWaterhouse-Narcissus_JW And if that’s not enough for you to handle? In many flowers, it’s the especially phallic-looking bit in the centre that’s the “female” part of this hermaphrodite.

It’s clear that Western culture is seriously obsessed with sex and sex organs — even when it tries to pretend it’s not, it’s filling children, especially girls, with an onslaught of symbols of fertility and virility and Martha Stewart is joyfully arranging severed genitals in various vases, often with the especially phallic lady-bits, right there on daytime telly (that woman seriously seems to love her lilies and callas — which aren’t lilies, they’re arums, and their “male bits” are typically attached to the “female bit” — now THINK ABOUT THAT). narcissus001

I find it hard to get close to Aphrodite. Not for lack of trying, mind, but perhaps she senses something about me (In Real Life™, I tend to be generally more comfortable getting emotionally close with men, while women I tend to befriend more casually — and the few exceptions to this kind of prove the rule, in their own unique ways), and either decides to maintain that distance, or simply appoints any and all contact to be through one of “Her Boys”: Either Eros, Whom I’ve already become especially close to, or Adonis, another Flower Boy for my bouquet.

Narkissos, I consider especially precious. My own views of His mythology apparently differ from the mainstream, and the versions of His mythos I hold most dear Narcissus003 (and indeed, there are dozens of ancient re-tellings and re-imaginings — the Battlestar Galactica franchise has had fewer re-interpretations by a wide margin) seem rather obscure, even if they’re versions that still seem to maintain the dominant trappings of the popular versions. To me, He is a holy daimon: A spirit of self-love, and a protector of those unloved. His namesake flower is sacred to Him, as are mirrors and reflecting pools; the species narcissus poeticus is especially sacred, as this is the exact flower He gave form to. He comes to you in a form reminiscent of you see yourself, perhaps a daimon of the Ego Ideal. He is the son of a nymphe and river god of Thespiae. Narcissus_Mazarini_Louvre_Ma435 His spurned lover, Ameinias, became anise; you can help to heal the tears Narkissos shed for both His own cruelty and for Ameinias with an offering of anise. Also, a bit of anise in a coffee for a reading may shed light on who loves you. Popularly, at least historically, He seems to have an especial link with gay man, and “narcissism” was initially used as a term for the “sexual perversion” of male-male love.

Hyakinthos’ flower, contrary to modern assumptions, is the delphinium larkspur. He is the son of the Moisa Goddess Kleio and Magnes’ son Pieros (Magnes being the first, now legendary, king of Magnesia, and a son of Zeus), and in some mythological traditions, He is either brother or cousin to Daphne — and perhaps the common-enough urge to link their myths is part of the collective consciousness trying to remind people of this (presumably?) once-ancient connection. hyacinth-statue-large By Spartan tradition, Hyakinthos is identified with the Thessalian Hymenaios, the God of marriage and the wedding bed, carrying associations with virginity, True Love, and legitimate partnership — again, I have to voice flabergastion that at the fact that so many modern Hellenic polytheists insist that only heterosexual partnerships have a right to spiritual or ritual legitimacy. Did Apollon not love Hyakinthos in the mythos? Is a god’s love not legitimate? Is the love felt by a mortal somehow unture? (If so, then logically, no marriage with a base of love, which is indeed what the overwhelming majority of Western marriages are, can possibly be ritually legitimate within Hellenismos — and I seriously doubt that very many people would want to get behind a fringe religion with self-proclaimed “authorities” who endorse a return to strictly-arranged het marriages based in social-climbing and dowries.) Delphinium-Larkspur-1 Or would people rather wax philosophical about “symbolism” and “metaphor” in myth rather than accept that the best symbol of a thing is the thing itself — and the mythos she the thing itself as a deep love and bond that was met with a tragic end. Though mortals may be imperfect, even flawed things can be true, legitimate — death is the greatest, most glaring flaw that mortals have, when compared to the Theoi, but our deaths are overwhelmingly true, a truth that is glaringly obvious.

Apollo And Hyacynth Benvenuto Cellini And again, we come back to blues — immortal blues for Love Himself. From “…something borrowed, and something blue,” to “L’amour est Bleu” (perhaps is is not insignificant that this song rose to fame via the Hellenic singer Vicky Leandros? LOL). The first I saw Hyakinthos, I knew the Spartans were onto something with their associations with Hymenaios, for the first time I saw Hyacinth (in a dream, mind), He was at a small pool or spring, sitting on a rock at the centre of a thick round of His flower, peacock feathers tied into His hair (giving allusions to Hera, a Goddess whose domains include marriage), and Apollon identifying this breath-taking youth as His beloved Hyakinthos, who He “fought the West Wind for, and won”. Their love, as I see it, is a wedded one that is renewed annually with Hyakinthos’ death and rebirth. George_Rennie_Cupid_Rekindling_the_Torch_of_Hymen_at_the_V_and_A_2008 He is therefore arguably, too, an Erote of Love Renewed, of Tragic Love, and a god of rebirth from tragedy.

Because of my interest in Boeotian traditions, especially of Thespiae and the surrounding area, I often revert back to Hesiod. Hesiod names a beautiful Thessalian boy beloved of Apollon, Hymenaios — or at least this is the Evlyn-White translation of the relevant fragment. The pseudo-Apollodoros notes a Thessalian Hyakinthos was seduced by Apollon away from Philammon, and that this Thessalian youth was accidentally slain by discus. Clearly this mythology is an example of one-in-the-same, simply with different names. At this point, I’m convinced, and urge: Whether you call Him Hyakinthos or Hymenaios, call on Him to bless the bond of love.

List behind cut:
Continue reading

Antinoos as Hyakintos — think about it, won’t you?

Recently, I’ve noticed some interest amongst Queer men (and some others) in on-line Hellenic (and Graeco-Roman-Aegyptian) circles in the revived cult-worship of Roman Emperor Hadrian’s deified beloved, Antinous (Antinoos in Greek). To a rather small group of individuals, this mere idea is controversial, at best (though they tend to describe it as “Ew! Icky for-een cultus to a Kept Boy™! get it away from MY Hellenismos!” — oi theoi, I almost wish I was joking). I’m going to ignore them, mainly just for being generally unpleasant, but also because 1) they ignore the fact that within the Hellenic religion, “foreign” cults were embraced often-enough that two rather famous ones, Kybele and Adonis, are generally considered thoroughly Hellenised (and really, it seems Antinoos’ only “crime”, in his veneration, is being born far too late for these people); and 2) even if one doesn’t consider Antinoos of ta theoi, his veneration doesn’t seem out of line with certain schools of ancient hero-worship. That said, well, if certain people wish to continue to breathe farts and talk poopie, I’m hardly going to stand in their way — free country and all that.

Now, I’m on this one Antinoos e-mail list (which I’ve been essentially a “silent lurker” to until about an hour ago) and it hit me as I went back to a few sites of info that, while often likened to Dionysos, I see a closer relationship to Hyakintos in Antinoos. Hell, if I wanted to tke a lead from my Token Hindu Friend™, I may even venture to posit the idea that Antinoos was an “avatar” of Hyakintos.

This is pretty much just one of those ideas that just popped into my head in the last hour, and I thought I’d share, cos there’s no real reason not to.

Also, from that same list, Phillupus had this to say:

Interestingly, Antinous is compared to Hyakinthos (and other flower-boys of Greek myth), but never syncretized to him…In several texts, in fact, Antinous is said to be “better” than these other flower boys (Hylas, Narcissus, Hyakinthos, &c.) for various reasons.

Whether one interprets Antinous’ ancient cultus as heroic or deific, the fact is that he was called “Heros” at some places (e.g. Delphi, Socanica, &c.), and “Theos” (e.g. Rome, Leptis Magna, Mantineia, Antinoopolis, Hadrian’s Villa, &c.) in others…those who dispute this are simply at odd with the facts. His cultus was not a foreign import, he was of Greek ethnicity and culture himself, and he is called a “native god” in places like Mantineia, Arcadia generally, and back home in Bithynia. Again, those who assert otherwise are doing so in ignorance of the facts as they are available on the most reliable sources on this matter.

[snip]

And, Thespiae does have a definite connection to the cultus, at least as I see it. Hadrian’s bear-hunt trophy was dedicated in the Eros temple in Thespiae, asking for the kharis of Aphrodite-Ourania (patroness of male homoerotic love) in finding a young eromenos, and this was right around the time (c. 123-124 CE) that he would have met Antinous, by most estimates.
–Phillupus, ekklesia_antinoou

Antinopolis.org/

Messenger Bag

I was actually inspired to make this post after reading this post from the LJ community pimp_my_altarPimp My Altar. My messenger bag began life as, well, and ordinary messenger/Israeli paratrooper bag that I purchased at Harry’s Army Surplus before their Ann Arbor location went out-of-business (due largely to gentrification and the sudden raise in rent for businesses on that block):

Mine was purchased for under $10 on a 50% off clearance, and I also got a fishtail parka for just under $20, on a 75% off clearance, and an extra-tall “walking stick”-sized umbrella for about $10 even (the latter is no longer a usable umbrella, due in part to Chicago winds, and in part to living with three cats).

This is how mine looks today:

It wasn’t a huge task to transform the paratrooper symbol into a Caduceus, which has been historically used as a printer’s mark. Regardless, as a symbol of Hermes, it seems an entirely appropriate thing to paint onto a bag that I primarily use for carrying notebooks, my agenda, important papers, my chequebook (which has the simpler Caduceus [sans wings] painted on the front), and a few other things that I’m in the habit of carrying with me, including my lyrics book, sheet music, drawing pencils and sketch diary, mp3 player or Walkman, personal phone book, cigarette tin and lighter, and gum. It reminds me of one of my favourite quotes from Derek Jarman’s film Caravaggio: “It was through an act of theft that Mercury created the Arts.” I recall that quote not because of theft (though I am frequently reminded of how the push for gentrification has essentially robbed this poor town of its culture before it could truly come into its own, and how the closing of Harry’s and several other down-town stores really solidified Ann Arbor’s gentrification in my mind), but because of Hermes’ long-held associations with the Arts and how I carry in this bag my simplest means of creativity.

All the pin-back buttons on the bag (with the exception of “The Amino Acids – Warning: Tangy Reverb” one) are also one’s that I’ve created. I had a few more on there before I took these two photos just now, but they either fell off or were removed by me at some time or another. [Well, except for a Dionysos button that I’m pretty sure some kid on the Amtrak stole while I was in the on-train restroom; it’s one of those things that I just know, even though I couldn’t prove it. Of course, I didn’t even notice it was gone until I had already reached Chicago. There was just something about the way that kid kept looking at the button when he and his mother boarded the bus, kept looking at me after I came back from the restroom, and the fact that his mother was dead-asleep before and after I went to the restroom.]

Here’s a close-up (albeit, a dark one) of the buttons. I took it without flash to eliminate glare that would have made them unviewable:


left-to-right are: Top – Satyr & Nymphe (from a Roman mosaic), Narkissos (19thC CE illustration)
Bottom – Apollon & Muse, Hyakinthos & Zephyros, Apollon & laurel branch
(gone missing or out-of-commission: Dionysos, Hermes, Adonis, Eros, Caravaggio’s Narcissus, Hermaphroditos, Neokoroi flame, Hellenion flame)

How Eros has Affected My General Worship: Chloris

Somehow, I think that the especial cult reverence that I afford Eros and the Erotes has helped me to see how the Theoi are connected and interact. One Goddess, Whom I now feel is often overlooked, Chloris (Flora, in Latin), the Goddess of Flowers, is one who I only really noticed after gravitating toward Eros cultus.

After noticing Chloris, it seemed quite obvious why She should be afforded at least some reverence in Erote worship: Many (and I do mean many) love stories in the mythos of ancient Hellas involve a metamorphisis into flowers. Many flowers are sacred to Aphrodite and the Erotes. Even in modern rituals that many people regard as being totally secular, flowers are often given in romance — and, interestingly, flowers are left for our dead. Again, we come to a relationship between Eros and Thanatos, Love and Death, a relationship which is far more pronounced in Gaelig mythology, and as we can see in the sources on Theoi.com, Ovid -in heavily implying Greek origin of this mythology (indeed, he implies it all over the place)- associates Chloris with the Isles of the Blessed in Elysium, and according to Wikipaedia, She is associated with not only Flowers, but also Spring and New Growth — an incredibly apt Goddess to associate with mythos often interpreted as life-death-rebirth mythos, such as Adonis or Hyakinthos, or even Narkissos.

In connecting Chloris to Eros, the nymphai of the flowers are next, then the nymphai as a whole, Apollon, Dionysos, Hermes, Artemis… basically any other Theos with strong connections to the nymphai. In connecting Him to Chloris, we bring Him together with the Seasons, the Winds, the Weather Theoi, Zeus. All roads lead to Eros: Love and Creation.

The Stories of Daphne and Hyakinthos

Re-Told By Ruadhan J McElroy

[Originally published in He Epistole, Summer of 2007, I believe. Edited and revised slightly.]

Once Artemis noted to her twin, “Dear brother, you advise to mortals ‘everything in moderation’, and yet you have lost yourself to the games of Eros at least twice.”

“Ah,” replied Apollon, “this is true. But remember, I advise everything in moderation – this holds especially true for moderation itself!”

This is the story of those instances.

Once, quite a long time ago, Apollon and Eros (who is older than all the Olympian Gods, but still rather child-like in his passions and general outlook), were in a dispute over who was the better archer of the two. Eros mentioned his millennia of years on the silver-bowed seer and how His own abilities of pairing of Gods and men alike had given him much more experience. Apollon scoffed, saying that it was not years, but the time He took to perfect his skill that made Him the superior bowman.

Apollon had decided he had enough of this pettiness and declared he was off to Gaia’s fertile plains to make music for the Nymphai – He may have been Eros’ junior in years, but He was still old enough to know when such an argument was going to go absolutely no-where.

Now Love always has something to prove, and with the encouragement of his companion Aphrodite, Eros simply could not let this go, and his golden arrow struck fair Apollon in the shoulder as the other eternal youth looked up from His lyre to glance at the dancing Naiad Daphne, the nymph of the artesian fountain nearby.

Now it is quite well-known that all nymphai love Apollon dearly, but most of them maintain chaste feelings toward Him, feeling more inclined toward the virile lasciviousness of the satyroi over the God’s refined sense of love-making — the Nymphai are, indeed, quite wild creatures at heart. Quite startled Daphne was when Apollon set down His harp and beckoned her nearer.

“But my Lord,” she replied, “I do not mean to offend, but if it is all the same to you, I would very much rather dance over here.”

“How can you mean that when I want nothing more than to be so nearer to you, sing of your beautiful chestnut hair and whisper sweet nothings in your ear?”

Startled, she began to back away. Unable to see the shaft of Eros’ dart for Apollon’s free-flowing mane, all that she could tell was that this was very much unlike Her God. When Apollon stood up and started toward Her, telling Her of Her beauty, Daphne feared a malevolent spirit was trying to trick Her, had somehow disguised itself as Her dear Apollon, and so She turned from Apollon’s hand and sped off faster than the speed of Eros’ dart.

“My beloved!” the confused God cried out. “Why do you run from your Lord?” Apollon ran to catch up with Daphne.

“You cannot be my Lord Apollon! My Lord knows that my heart belongs to the satyros Argyros, a keeper of hares! Whatever wicked spirit you are, return to where you came from! Do not touch me!”

“How can you not recognise your God? Please, dear woman,” Apollon begged, grabbing a hold of Daphne’s arm. “I beg of you, be done with this nonsense!”

Daphne turned her head and noticed that they had come upon the river of her father, Ladon, and called out to the river-God for help as Apollon held onto her and pleaded with her to allow Him to love her. By the power within Him, Ladon transformed His daughter at her plea that “anything would be better than being pursued by this fiend!”

Daphne’s feet took root into the ground below her as Gaia opened up her pores for the tearful nymphe. Her skin became thick, and like that of a tree as her rich brown hair spiralled up-ward and became covered with leaves thick and flavourful, but sharp to those who should bite them.

At first startled by her metamorphosis, Apollon’s heart then broke at the realisation of what He had driven his old friend to beg for. He then felt the golden head or Eros’ dart under His skin, and realised what the ancient ephebos had done to Him for daring to think Himself better than Nyx’s self-begotten son.

He begged the forgiveness of Ladon for so foolishly pursuing the river-god’s beloved daughter, and asked if He could bless this monument to the fair nymphe. He infused its leaves with the gift of second sight to all who should worship Him. Indeed, even today, followers of Apollon have been known to chew on or burn leaves of the divine daphne, known to the Latin-speaking Romans as “Laurel nobilis” and to modern speakers of the Briton tongue, which some believe is Hyperborean in nature, as “bay”.

Now on another occasion, quite some time after Daphne was but a memory but when mortal men were still in their infancy as a race, and the Gods roamed more freely among us than They do today, Lord Apollon became enchanted by a youth of Spartan nobility. The ephebe’s name was Hyakinthos, and even his mother was so mystified by her son’s beauty and intellect that she, like her neighbours, was hardly above comparing his charms to those of Apollon. Indeed, even His sister Artemis had to look twice when seeing them about, just to make sure that He had not found himself another twin.

“Well, my Brother,” She said when they parted from a playful and loving kiss. “I do believe that you have just proven yourself to not be above vanity. Even your beloved is only distinguishable from you by his mortal aura and the small imperfections in his young skin alone.”

“But do you not see, dear Sister, jealousy is such a waste. I am sure your beloved nymphe could have born Hermes in comfort if only your jealousy did not frighten even our dear Father.”

Artemis knew better that to quarrel with Her twin over the differences between jealousy and the wrath reserved for oath-breakers. He knew the difference, and despite Her wild ways, She was too mannered than to argue with Him in front of His new lover.

Despite his unwavering love for Apollon, Hyakinthos was still mortal and therefore flawed. One of these flaws was that he still could not tell when his own youthful flirting may be taken more seriously than it was intended to be, and this finally was met with sorrow from Zephyros, who had become quite enamoured with the mortal boy.
When Hyakinthos finally realised that Zephyros had fallen in love with him, he apologised to the north wind – he did not mean to mislead Him of his own affections.

“I am gravely sorry, but my heart belongs to Apollon.”

“No! I refuse to believe it!”

“But it is true. And I swear on my life that I had no intentions to make you think I felt that way toward you. I ask that you accept my admittance of this mortal mistake. Just please, I beg of you, dear God, turn your head so that you may see the truth.”

“Why should eruthibios Olympian have the heart of all the lovely young men of the world? Am I not myself attractive?”

“You are indeed fair in your own right, but it is impossible for me to share my heart with two. If I were to even try such a feat, one would become favoured over the other. No mortal can love more than one in the way that I love Apollon. If he tried to, he would fail. There are polygamists who take as many as they can financially provide for equally, but one wife is always awarded the lion’s share of his heart, meaning that his provisions can never be truly equal. Even great Zeus obviously gives more of his heart to Hera than to those he unites with in passing fancy.”

As the boy ran toward Apollon’s beckoning, Zephyros cried out in heartbreak, “Mark my word, fair mortal – if I cannot love you, than neither can He!”

Apollon, honoured by men of the gymnasia, was teaching his young paramour to throw the discus and were now playing an old catching game with the throwing circle as Artemis and Hekate sat by and watched as their dogs ran about with the masculine beings of golden hair.

Then just as Hyakinthos ran to catch the disc as he had been, Hekate could see from the corner of her eye Zephyros, with a jealous look in his.

Hekate cried out “Wait, stop!” but Apollon had already thrown the discus. Zephyros then blew the weighted toy off its course, and quickly did Hyakinthos’ neck snap as the heavy circle beat the mortal youth across his brow.

Where his blood fell, flowers did begin to sprout and take root, as Apollon lifted the boy up, tears pouring down his own face.
Where the story ends here for many people, offering them nothing more than an allegorical tale of the death of childhood. But in Sparta it was said that the fair boy, who was one of their own, by petition of Apollon and the will of Hades, whose heart was softened by his wife Persephone – so girlishly romantic, deep down inside – was reborn as a demigod and every summer in Sparta, they would honour this death with solemn feasts and his rebirth by offering fine clothes to Apollon, singing songs of He and His beloved Spartan boy, and some were even inducted in the mysteries of Apollon and His favourite of all youths.

The Theoi of Mod

As I am wont to say, I am a hopeless Mod, so as a post I’m making cos I really want to blog today but can’t think of anything really good to say, let me explain to the non-Mod Pagans and Polytheists and Hellenistai reading this (which is probably everybody but me) the Mod culture with different Theoi.

Apollon: I generally think of Apollon as the most-Mod of the Theoi. Many Hellenistai recognise Apollon as the Theos of Moderation (unlike Nietzscheans, who regard Him as the God of Abstinence — silly, silly, Nietzscheans…), and there is an old saying about Apollon, often presented in the form of an exchange between He and Artemis, wherein Apollon states, “Ah, but I advocate moderation of all things, including moderation itself!” Mods in the 1960s were ragarded as flamboyant dandies in comparison to their working-class backgrounds, but it can’t be denied that they were still considerably less flamboyant than Oscar Wilde, who came before, and the other youth cultures that came after. Mods are still very much like this. The music, which danceable, is hardly the rhythmic thumping of disco and its derivatives (which I regard as Dionysian). Even Mod jazz has some semblance of order amidst the syncopation, but just enough of that freeness to steer clear of that soulless and detestable “smooth jazz”.

Dionysos: Dionysos and Apollon are far from being polar opposites (as Nietzsche liked to portray); to continue that misconception is to underestimate both Theoi, and (in this blogger’s opinion) is very much “missing the mark” and tantamount to blasphemy — but enough about that. Dionysos, through throwing in an element of careful excess (as a Theos of the Theatre and concerts, I highly doubt He approved of Axl Rose’s temper tantrums, and I also find it hard to believe that the Theos of Wine appreciates getting drunk to the point of being sick all over everything, or driving into a tree, or using substances to commit rape) is a Theos perfectly worshipped in just about any nightclub. And really, if any of the Theoi truly appreciate Jazz, I would have to say that it’s Dionysos.

Hermes: Hermes is the Theos most commonly associated with innovation, novelty, and progress — in other words, Hermes is a modernist. Apollon, being among the most sophisticated of the Theoi, is naturally a Modernist (and a modernist) by default, but where Apollon is there to remind us that analogue sound is of superior quality, making the slight medium degeneration from even perfect use of vinyl worth its imperfections, Hermes is there to remind us that it’s perfectly OK to record our records onto mp3’s to not only prevent unnecessary degeneration of the sound recording medium, but because the iPod just looks so cool! A God of Transportation, it was both the desire for affordable transportation and ost WWII resourcefulness that both birthed the Motor Scooter and popularised it amongst British Mods.

Hyakintos: Though commonly regarded amongst mythology buffs and modern worshippers as a Hero, I think there is sufficient enough evidence that the Spartans regarded Him as either a Theos in his own right, or as Hemitheos (demigod) to some extent. That out of the way, let’s look at the most famous attributes of Hyakintos — Young, Male lover and beloved of Apollon, Athletic. Though, in recent years, Mod had been maintained by older generations, at its heart, it’s still a youth culture, meaning that young people are necessary to its growth in both size and spirit. There is also a joke amongst Mod that goes “What do you call a fat Mod? A Trad Skin” and in the book Mod: A Very British Phenomenon, it is stated that “there are no fat Mods”. As for the gay? Well, just check out the first two albums by the band Secret Affair, which my guitarist and I joke solidifies their position as the gayest band composed of all-heterosexual members; also, Pete Townshend has finally admitted that, though he has maintained a heterosexual identity since the 1980s, he “experimented with men” in the 1960s, and at this point, everybody should know that David Bowie was once a more obvious Mod (if you ask me, he never stopped being a Mod, but that’s another story for another time), so obviously sexual ambiguity is not something that Mods should have any sort of problem with (and, historically, is something that Mods typically don’t). By this revelation of Mod, Adonis should be well-suited to Mod worship, as well.

Hekate: I’m not leaving out Goddesses, ladies! A Goddess of gateways and crossroads and the underworld (all of which get mentioned frequently in old blues standards covered by The Yardbirds and The Rolling Stones), Hesiod regarded Her as a feminine counterpart to Hermes and the most powerful of all the Titans. She’s also probably the only Goddess, after Artemis, whom I can envision looking just as regal and Divine with either a bob or pixi haircut. I also biased because there’s a song by Makin’ Time called “Two Coins For the Ferryman”, which seems to contain many Hellenic mythological references including, possibly, Hekate — though I could just be inserting my own meaning there because it’s what I want to hear.